“The reader or viewer remains passive in the face of the book or movie or play: she expects the work…”

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“The reader or viewer remains passive in the face of the book or movie or play: she expects the work to be done for her. If the concept of identification suggested that an individual experiences a work as a mirror in which he might recognize himself, the notion of relatability implies that the work in question serves like a selfie: a flattering confirmation of an individual’s solipsism.”

The Scourge of “Relatability”.